Tube dp

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Presonus Bluetube DP V2, Stereo Dual Path Mic/Instrument Preamp, mit XMAX Einstellmöglichkeiten Gain; Tube Drive; XLR und 6,3 mm Klinke Eingänge; 6,3. Der Presonus Blue Tube DP ist ein Stereo Röhren-Mikrofonvorverstärker in kompakter Bauform. Durch seinen Aufbau in Class A Technologie wird ein sehr. PreSonus BlueTube DP V2 2-channel Mic/Instrument Tube Preamp: sailbjorn.se: Musikinstrumente. Der Blue Tube DP V2 allerdings hat jetzt Presonus' proprietäre Class-A XMAX-​Vorverstärker geerbt und wurde kurzerhand generalüberholt. PreSonus Blue Tube DP V2 Dual Channel Röhren-Mikrofon-Vorverstärker. Tonstudio. 0 Bewertungen. ca. Wochen Aktuell > 5 Stück beim Lieferanten an​.

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PreSonus BlueTube DP V2 2-channel Mic/Instrument Tube Preamp: sailbjorn.se: Musikinstrumente. Number of Channels: 2. Type: Instrument Preamp, Model: Blue Tube DP V2. Features: Phantom Power, XMAX Class A solid-state preamps, 80Hz highpass. 3 ergebnisse für white dp Tube, geordnet nach Relevanz, nach Neuigkeit, , White Teen Dp And Blonde Smoking Students Porking Each Other.

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BlueTube DP V2: 2-kanaliger Dual-Path Mikrofon-/Instrumentenvorverstärker “​Bei cleanen Sounds kann der Blue Tube DP V2 punkten und mit der. Mikrofon Vorverstärker Presonus Blue Tube DP Stereo Tube preamp, Solid State Preamp, Zweikanaliger Vorverstärker in "Dual Path"-Technik, Class-A-. 3 ergebnisse für white dp Tube, geordnet nach Relevanz, nach Neuigkeit, , White Teen Dp And Blonde Smoking Students Porking Each Other. Number of Channels: 2. Type: Instrument Preamp, Model: Blue Tube DP V2. Features: Phantom Power, XMAX Class A solid-state preamps, 80Hz highpass.

Currently unavailable. We don't know when or if this item will be back in stock. Image Unavailable Image not available for Color:. J Hooks for 2" Sq.

Brand: Hidver? Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Only 8 left in stock - order soon.

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Please try again later. Verified Purchase. Like the other reviewer I also got these Hooks to use with my powerline pprx rack. These are cheaper than the powerline hooks which are a saber style whereas these are a j-hook.

Build quality, fit and finish are great. One hook was slightly off once put onto my rack but a little whack seemed to correct that. Have not used them yet but it is a pretty straight forward product, they seem solid.

Extra hooks is a must have on a power rack, makes jumping straight into exercises much easier. I also own the dip bars that this company also makes and they fit perfect on my rack as well.

After reading some of the other reviews, I got these to use on a Powerline PPRX power rack, and they fit perfectly. Very sturdy and very easy to put on and take off the rack.

My one complaint is that the insides of the hooks are metal without any lining material, so you will have metal on metal contact with a bar in the hooks.

Works perfectly, and no worries about metal on metal contact, even with several hundred pounds loaded on the bar and placed in the hooks.

Tight fit. These are epic. At first I didn't like the red, until they got here. They fit the Atlas power rack sold by barbells4me, snugly actually a little too snugly, but that is because the rack sticks out in the back due to drilling the safety bar holes.

I just grab a 5 pound weight and knock it a couple times. This is only on one side, and I have inspected the J hooks very closely These are excellent.

I put some foam from a pipe insulator over the bottom part and wrapped them with black electrical tape Great hooks.

I bought two pairs of these for my Powerline PPRX rack as I wasn't too crazy about the hooks that came with the rack.

These are extremely solid and fit perfectly. The only difference, and a very minor one, is that you will have to adjust the heights differently than the ones with the original pegs as these tend to sit "between" the holes rather than on the same level as the holes with the straight pegs that came with the rack, but again, that's not a problem at all.

These are extremely easy to change and the build quality is excellent. I bought these for my squat rack, which is 2-inch posts.

By contrast, most mixers offer 60dB of mic preamp gain with a further 10dB or so of gain available by pushing the faders up past their 0dB positions.

To my ears, the sound is quiet and clean and, to be honest, fairly indistinguishable from any number of well-designed, mid-price mic amps I've tried in the past.

With the tube stage switched on, there seemed to be a fine line between not hearing much difference at all and hearing obvious distortion, so for normal work I'd use this below its midway setting and only venture into heavier distortion for special effects.

There's quite a lot of distortion available at more extreme settings, no doubt to give flexibility to those using the unit as an instrument DI. The type of distortion it produces should be useful for taking the edge off hyper-clean rhythm or bass guitar and it could also suit many keyboard sounds, including tonewheel organ.

It's less successful as an electric guitar treatment, because as soon as you get into the obvious distortion range, you need to follow up the preamp with a speaker simulator to attenuate the 'fizzy' high-end harmonics that would normally be removed by a typical guitar speaker.

Having said that, used with care it can add a bit of tube character to an already 'produced' guitar sound from a Line 6 Pod or similar device, provided that you don't add so much drive that the sound becomes raggy.

I don't think it sounds as subtle as a well-designed, high-voltage tube circuit, but used sparingly it adds to your creative palette and also allows you to add more warmth to DI'd electric instruments.

As a desktop unit, the Blue Tube DP looks great, it's very easy to use, and it has no obvious vices. Even the gain control operates progressively without everything being bunched up at one end, which is a common failing with other low-cost devices.

I would have liked just a little more available gain, but in the majority of studio situations there is more than enough available.

Given the low UK price and very decent level of performance, you can't really go wrong. For the desktop studio user needing a decent pair of mic preamps that also double as instrument DI boxes, the Blue Tube DP fits the bill nicely without costing the Earth.

You have to use the Tube Drive sparingly on vocals, but it is a useful effect nonetheless. Pros Good basic sound quality.

Nice styling. Cons Tube sound is less subtle than from true high-voltage tube circuitry. Summary For the desktop studio user needing a decent pair of mic preamps that also double as instrument DI boxes, the Blue Tube DP fits the bill nicely without costing the Earth.

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Galfan Galvannealed Zinc. A hook on the rear panel provides somewhere to anchor the Amateur lapdancer sex so that it won't fall Cute shemale hentai in the middle of the session. You weightlifting or collecting works of art? Great hooks. Duroxite

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Abbrechen Rezension melden. Music Store professional in Köln. Bitte teilen Sie diesen Beitrag. Good product Performs as expected X Vorheriges Bild. Bitte geben Sie eine niedrigere Zahl ein.

This is only on one side, and I have inspected the J hooks very closely These are excellent. I put some foam from a pipe insulator over the bottom part and wrapped them with black electrical tape Great hooks.

I bought two pairs of these for my Powerline PPRX rack as I wasn't too crazy about the hooks that came with the rack. These are extremely solid and fit perfectly.

The only difference, and a very minor one, is that you will have to adjust the heights differently than the ones with the original pegs as these tend to sit "between" the holes rather than on the same level as the holes with the straight pegs that came with the rack, but again, that's not a problem at all.

These are extremely easy to change and the build quality is excellent. I bought these for my squat rack, which is 2-inch posts. However, the holes on my squat rack are only about half an inch across, and the pegs on these J hooks are more like an inch across, so they don't fit.

It's probably that my squat rack is old and non-standard, and not the fault of the J hook; but do yourself a favor and measure the holes on your rack before you purchase these!

They look very solid, so I'm sure they would have been great if they fit; but I have to return them. And the search continues These are well made and fit my 2x2 framed squat rack quite well.

As other reviewers have noted though the paint is simply terrible, these should really be powdercoated as the paint is not at all suitable for this application.

Great hooks wish they were in black. Otherwise no complaints. Folks complaining the paint chips Your effectively taking a file to it every time you put the bar on it.

It's going to scratch and chip. You weightlifting or collecting works of art? This is a great addition to my rack. The J hook "hook-to-rack hole" spacing is offset compared to the even "hook-to rack hole" spacing that the Powerline pieces have.

This will allow for more adjustment for easier racking with the bench press where arm length and hook placement can be a bit of a pickle.

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PillPack Pharmacy Simplified. A 12AX7 dual triode is shared between the two channels so there is one stage of tube gain per channel.

This tube is also run at well under the normal death-dealing voltages used in traditional tube products, so there's no safety risk. However, the authenticity of the added 'warmth' can vary in low-voltage designs, so you really need to judge them subjectively rather than assuming that they will sound exactly right simply because they have valves inside.

PreSonus are by no means the first company to take this hybrid design approach, as solid-state input sections tend to be cheaper to build and less noisy than their all-tube counterparts, but they have managed to bring in the Blue Tube DP at a surprisingly attractive UK price and claim to offer the user the ability to create 'a fat warm tube tone or invisible solid-state transparency'.

Predictably, the degree of warmth is determined by how hard you drive the tube, as warmth in this context is really just another way of describing subtle harmonic distortion.

The visual design has been brought up to date with brushed aluminium, blue switch LEDs, and red LED backlighting to the tube, though the 1U half-rack shape and external transformer powering have been retained.

As the Blue Tube DP is simply a preamp without EQ or dynamics, the manufacturers have been able to provide all the essential features that you'd expect in a mic pre, specifically a dB pad, phase-reverse button, 80Hz low-cut filter, and individually switchable 48V phantom power.

Each channel has two rotary gain controls, one of which works more or less conventionally to adjust gain while the other, labelled Tube Drive, sets the amount of valve gain.

The Tube Drive control has an integral push switch that bypasses the tube stage completely — as you'd expect, this setting produces the least distortion and the best noise figures.

The Tube Drive control increases the input to the tube stage, but reduces its output to compensate, so there's little overall level change while this is being adjusted.

Metering is courtesy of two small, circular moving-coil meters, and there are also fast-acting overload LEDs located between the channel gain controls.

All the connections are on the rear panel, including the PSU connection point. A hook on the rear panel provides somewhere to anchor the cable so that it won't fall out in the middle of the session.

By contrast, the line-level outputs are on separate balanced XLR and unbalanced jack connectors which are active simultaneously, providing a practical way of splitting the signal for zero-latency monitoring or other applications.

My first check was with a large-diaphragm capacitor mic using the Blue Tube DP with its tube stage bypassed.

Although the maximum gain is limited to 57dB, that's plenty for capacitor mics, though it may be a hint on the low side for some dynamic models or for recording quiet sources.

By contrast, most mixers offer 60dB of mic preamp gain with a further 10dB or so of gain available by pushing the faders up past their 0dB positions.

To my ears, the sound is quiet and clean and, to be honest, fairly indistinguishable from any number of well-designed, mid-price mic amps I've tried in the past.

With the tube stage switched on, there seemed to be a fine line between not hearing much difference at all and hearing obvious distortion, so for normal work I'd use this below its midway setting and only venture into heavier distortion for special effects.

There's quite a lot of distortion available at more extreme settings, no doubt to give flexibility to those using the unit as an instrument DI.

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